![]() There is, in fact, barely enough situation to serve as a springboard for Prufrock’s self-revelation. It is interesting to notice how little dramatic situation there is in Prufrock. Indeed, in Eliot’s monologue, the listener is mainly Prufrock’s other self. This meandering quest to find his life’s meaning accounts for the tone of improvisation in the dramatic dialogue, as well as the speaker’s absorption in what he is saying, and also for his strange lack of any real connection with his audience. The meaning he extracts may surprise him, and puzzle him, as much as it does the reader. Like many of Hamlet’s soliloquies, the purpose of this monologue is to light up his own mind rather than illuminate ours! He is using his utterances not so much to expound the meaning of his life as to pursue it. While the two opening lines of the poem might well belong to a conventional love poem I don’t think anyone is going to rush out and put it on their Valentine’s Day card – not even Jacob Rees-Mogg! The essential point to make about Prufrock is that it is a dramatic monologue. ‘Let us go then, you and I’ – and analyse the poem! Close study of the poem (by you, hopefully) will reveal that it has, in fact, a coherence and logic all of its own. In other words, the confusion and incoherence of Prufrock’s mind and of his world are to some extent reflected in the apparent incoherence of the poem. Love song of j alfred prufrock free#It is also modern in method, making its impact by means of images and symbols which are not held together by any strict or obvious logic, but by the free association of ideas. It is modern in theme because it expresses the confusion and indecision arising from the self-doubt of modern man facing a world in which the traditional religious and social certainties were losing force. Rightfully, it is regarded by many as one of the very first great modern poems. The poem has come to represent a generation, an epoch, much in the same way as The Great Gatsby, Waiting for Godot and Ulysses are also seen as seminal works which seek to define an age. It was later printed as part of a twelve-poem pamphlet titled Prufrock and Other Observations in 1917. Wikipedia tells that Eliot began writing “Prufrock” in February 1910, and it was first published in the June 1915 issue of Poetry: A Magazine of Verse at the instigation of Ezra Pound. Alfred Prufrock”, commonly known as “Prufrock”, was the first professionally published poem by American-born British poet T. No! I am not Prince Hamlet, nor was meant to be / Am an attendant lord, one that will do / To swell a progress, start a scene or two …. ![]()
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